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The Scholar (or he sleeps tonight!)
  
A one-act play by Kevin Korpela (© 2004 observatorydrive.com) 
Opening 
Scene: Fade from black to high above the dark-green forest of the
Northwoods. We move from the massive darkness to an 
historic/imposing building in a forest clearing. This is Old Main, a non-government laboratory, also know as The Civic Institute. Entering through a window in Old Main, we’re in an 
impressive room with a scurry of activity, people moving and talking with 
heated, yet friendly, debate and intense concentration. In the center of the 
activity is a tall, 
thin figure wearing dark clothes with dark leather shoes and dark-brown rimmed 
glasses. He has a serene, yet warm, confidence. His intensity is sure but honest 
and humane.   
The Narrator 
speaks in conjunction with the opening scene above, "His name: the 
Scholar. He’s the leader of a discreet yet important non-government facility, 
called Old Main or often The Civic Institute..." 
"...Old Main includes  
a diverse group of citizens such as writers, photographers, artists, musicians, 
teachers, translators, printers, professors, historians, engineers, herbalists, 
lawyers, dancers, economists, biologists, tea shop owners, organic farmers, 
aviators, logistical specialists, managers enforcing minority equity in 
government contracts, developers,  
conservationists,  real estate agents, psychologists, psychiatrists, nutritionists, 
barristas, actors,  
directors of 
historic societies, curators 
of education, astronomers, doctors, and 
architects..."  
"...These activists design progressive parity for all global citizens 
through a series of projects involving justice, fairness, and leadership via 
environmental, economic, social, political, and cultural concepts." 
The Narrator continues, "The aroma in the room is earthy 
yet meditative...aroma from a Chinese black tea, perhaps an 
aged tea such as a 1987 Pu-erh. 
Sounds of tap-tap-tappity-tap fills the space 
and your ears. The Scholar is among those preparing documents on old-school 
typewriters and his current research is pouring onto the paper." 
Next Scene: Close-up view of 
the white paper in the typewriter with the most recent paragraph composed and 
it's words fill the view with black Courier font: 
In 
France, in the mid-19th Century, Honoré Daumier was an artist and humanitarian. This 
painter, illustrator, sculptor and draftsman exposed the egotism, the greed and the sordid 
ambition of the age, its vulgar cunning and its blindness to spiritual, moral and artistic values. He left nothing untouched and transformed the trivial into the epic. He had a sureness and strength as a draftsman, a marvelous memory, an imaginative power to transform and order 
things seen, and his success in interpreting an age to itself in terms it could understand.  
The Scholar 
then says, thinking to himself, "If only 
Daumier was a member of our team at Old Main. Anyway, it’s two-in-the-morning, the Celtic music is still ringing 
in my head from earlier this evening, and 
the 16 Ounce Winter Ale is working its magic because   
I’m fallingggg. . . . . . . . . . . . . . . . . . . . . . . . . . .asleeeeep. 
. . . ." 
Final 
Scene: View pulls away from  the Scholar and sounds of snoring/sighing/dreaming overcome the tap-tap-tappity-tap, view retreats through the window, moves high in the sky, Old Main disappears into the dark-forest of the Northwoods, and fade to black. 
Director says, "Cut! We’re done! Let’s go home! Great work people! Good 
performance Korpela." 
A few minutes pass, "Mr. Korpela, we can go home now. Mr. Korpela, let’s go. Korpela? KORPELA!!!!!" 
Mr. Korpela awakens, "Oh, hi, I apologize, I, I, I fell asleep..."
© Kevin Korpela, www.observatorydrive.com™ 
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